BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//A Studio in the Woods - ECPv6.15.18//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:A Studio in the Woods
X-ORIGINAL-URL:https://astudiointhewoods.org
X-WR-CALDESC:Events for A Studio in the Woods
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20100101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20141025
DTEND;VALUE=DATE:20150126
DTSTAMP:20260404T213828
CREATED:20141025T164256Z
LAST-MODIFIED:20240827T193758Z
UID:4149-1414195200-1422230399@astudiointhewoods.org
SUMMARY:Dawn DeDeaux's MotherShip Lands on Two Sites for P3+
DESCRIPTION:ACCORDING TO ASTROPHYSICIST\nSTEPHEN HAWKING WE HAVE 100 YEARS LEFT\nNOT TO SAVE EARTH BUT TO LEAVE HER\nA Studio In The Woods welcomes Dawn DeDeaux as an Artist in Residence presenting Selections from the MotherShip Series as a P3+ Host Site. \nDeDeaux’s work will be on view at two locations from October 25\, 2014 – January 25\, 2015\, Closed Holidays.\nLOCATION A: Tulane’s School of Public Health\, Collins C. Diboll Gallery\, 1440 Canal Street\, First Floor\, New Orleans\, LA 70112Friday – Sunday / Noon to 5pm & By Appointment.\nLOCATION B:Arts Estuary\, 1024 Elysian Fields Avenue\, New Orleans\, LA 70119Thursday – Sunday / 2 to 5pm\, Weather Permitting\, & By Appointment.Closing weekend extended hours:\n2-9pm Friday 1/23 *weather permitting\n12-9pm Saturday & Sunday\, 1/24-25 with the Gallatin Street Brass Knuckle Marching Band from 12-5pm\nEVENTS:\nLOCATION A Opening Reception: Thursday November 20\, 2014\, 4-7pm at the School of Public Health\nLOCATION B Closing Reception Sunday\, January 25th 4-8pmThe sculptures and drawings on view are postulations of the future – influenced by collective mythologies that foretell of the future and the hard mathematical and scientific equations foretelling a future not so dissimilar from myth. Also considered is the work of Carl Jung\, Will​iam Blake and others who have turned to dreams and symbols belonging to the collective subconscious as roadmaps toward the unknown.DeDeaux is a professional New Orleans-based artist of national stature who can translate the complexities of science and sociology\, turning data driven theories into iconic visual forms that speak to public audiences. DeDeaux’s work extends into community engagement and programming to further the outcome of public education and participation in challenges of the day.  Her work is supported both through traditional art foundations and through other underwriters in the fields of science and mental health.This exhibition is presented by A Studio in the Woods\, Tulane/Xavier Center for BioEnvironmental Research\, Tulane University School of Public Health and Tropical Medicine. The exhibition is sponsored in part by CC Imaging Inc\, Centre for Living Arts\, Fertel Foundation\, Julian Mutter\, Piedmont Plastics Inc\, The Robert Rauschenberg Foundation\, SGPS ShowRig\, Surdna Foundation\, Catherine Tremaine\, Wayne Troyer Architects. THE RING in collaboration with Michael Krevitt.2014 Interview by Acadiana Center for the Arts: \nAcA:  What is the history behind MotherShip\, the body of work you are currently exploring? \nDeDEAUX:  MotherShip is Earth or a means to leave her. The MotherShip series is prompted by the Katrina – BP Oil Spill wake up call: one’s comprehension of future challenges is heightened when viewing the global battlefront from your own back yard – a yard soon to slip into the Gulf [of Mexico]. \nSuch biographical upheaval is combined with my longtime interest in mathematical equations that calculate the future. For example\, by 2045 Earth will host 9 billion human inhabitants. Suddenly you realize that this planet of ours is rather small: Where are the resources to sustain 9 billion people? Historically\, wars\, viruses\, natural disasters and now terrorism can deliver huge reductions in the population\, but who among us is cheering for this as a solution? Instead we turn to our scientists who are busy trying to make the numbers add up by calculating land mass in relationship to rising seas; identifying zones viable for agricultural growth that will not be impacted by global warming; engineering massive aquaculture farming on epic scale to offset the ever-increasing ocean dead zones and wildlife specie extinctions occurring in record number; envisioning the divisions of fresh water\, soon more valuable than gold\, measured by the ounce and distributed by the drop to the masses…and so the future unfolds. \nTo encapsulate these challenges I chose MotherShip as the series unifying title and core icon. MotherShip is both a metaphor for Earth in need of stewardship; and if we fail\, MotherShip becomes our constructed lifeline vessel to transport us to new frontiers beyond. If you share the projections of astrophysicist Stephen Hawking\, we have 100 years left – not to save the Earth but to leave her. In either outcome\, MotherShip is the link to our survival. \nAcA:  A reoccuring theme in your work is the concept of collective mytholgy that bridges cultures as well as time. How does this manifest itself within MotherShip? \nDeDEAUX:  Mythology:  I am very interested in looking at the mathematical forecasts for the future alongside historical\, collective myths that foretell of the end of time. \nA centerpiece for the series is a life-size shimmering pale horse that gazes into his own reflected image. This emerged both from my own reoccurring Jungian-like dreams and my research of early-recorded mythological histories where such a white or pale horse appears. I was surprised to learn that such a horse is referenced in a sweeping diversity of cultures as a near-universal symbol for the ‘end of (Earthly) time’ – including Babylonian\, Persian\, Hindu\, Saxon\, Asian\, Slavic\, Native American and Biblical texts such as The Book of Revelations – and as a signifier of triumph over evil\, even amidst our predicted annihilation. \nI also turn to the rich body of mythic literature that identifies the Ring as a symbol representing the union of people and time – the alpha and omega. The Ring seems mandated to embody the best and worst of mankind–forged not only of metal but also of desire that both creates and destroys in equal measure. For example the ‘desire’ for greater oil profits has led in part to the death of our wetlands. \nIn my own MotherShip narrative my ring is not like the small gold ring that prompts the Hobbits to risk their lives to save the world\, but instead it is an industrial-scaled Ring\, modeled after those used to build the early Zeppelins – still the largest air ships built to date. This Zeppelin construction Ring represents for me the dysfunctional marriage of man and technology. \nWe allowed our uncontrolled use of technology to bring us to this place of potential peril; but ironically we can no longer divorce ourselves from technology\, as without it we are certainly doomed. \nAcA: Is there a sliver of hope that we can collectively rewrite a strategic script to outwit both myth and math’s gloomy forecast of what the future holds? \nDeDEAUX:  The Odds of Hope:  It is difficult for rational folk to dispute the mathematical equations of Steven Hawking that prompt his 100-year theory. But to abandon hope is equally unreasonable. There are David and Goliath stories and ‘to hope’ for good outcome is at the core of humanness and a go-to-script of myth. \nIt is heartening to see the changing habits of younger generations in terms of energy consumption\, alternative energy\, organic foods\, recycling and the ability to utilize social media to proactively stand up for important issues. There are worldwide efforts but I am specifically proud of the environmental leadership in south Louisiana and how individual groups such as Bucket Brigade\, Gulf Restoration Network\, Restore Louisiana Now and Levees.org are now working together behind the banner of The Green Army. It seems as though a line has been drawn in the sand\, punctuated by the recent Louisiana Legislative effort to kill the lawsuit against oil and gas companies asking for the restoration of dredged canals that contributed to coastal erosion. The effort led by historian and writer John Barry was heroic and it has pushed hope across the threshold. \nCoastal Louisiana is Earth’s youngest land mass\, and will be among the first lands to disappear. In spite of knowing this\, I don’t find myself fraught with an all consuming fatalism – I would rather say I feel a sense of urgency. \nIs there a sliver of hope? Every so often the small horse wins against all odds. If not I will ride out on the pale horse into the big ring and leave my losses behind. Of course I will first teach the horse to swim. \nSharon Litwin interview with Dawn DeDeaux for NolaVie \nProspect 3 interview with Dawn DeDeaux \nNew York Times On Location with Dawn Dedeaux \nLinda Yablonsky at the opening of Prospect on ARTFORUM.com \nAmerican Theater Magazine with Mark Blankenship and Stephanie Coen \nSix Questions for Dawn DeDeaux on www.theind.com \nDeDeaux’s FaceBook page \nBIOGRAPHY \nDawnDeDEAUX is a conceptual artist working in a wide array of media selected as needed to best deliver core ideas. She is one of the first artists in Louisiana to utilize electronic technology\, and is considered a pioneer in the creation of fully immersive (in-the-round) synchronized\, digital-multi-screen-environments and for sculptures that embed digitized imagery. \nWorks by DeDeaux have been widely exhibited nationally\, including New York’s Whitney Museum of American Art\, Armand Hammer Museum of Los Angeles\, Baltimore’s Contemporary\, the Aldrich Museum of Contemporary Art in Connecticut\, Chicago’s Peace Museum\, Seattle Center on Contemporary Art\, Dallas McKinney Contemporary Art Center\, Delfina Studio Trust of London\, Thread Waxing Space of New York\, Canadian Film Society PleasureDome in Toronto\, Austin’s Blanton Museum of Art\, and Ballroom Marfa of Marfa\, Texas. \nDeDeaux is honorary member of Tau Sigma Delta and exhibited winner of Montage 93 International Competition for work to best merge art and technology. She is the recipient of the 1997 American Academy in Rome Prize as McKnight Foundation Visiting Southern Artist and selected among the eight most significant contemporary southern artists by the 1996 Olympics Cultural Committee that premiered her immersive media work The Face of God\, In Search of. She is recent 2013 Robert Rauschenberg Foundation Artist in Residence / Fellow where she produced works for her MotherShip series; and the 2014 New Orleans Contemporary Arts Center Silver Circle Artist of the Year. \nDeDeaux is the winner of the 1976 Demolition Derby in the Louisiana SuperDome as the only female contestant in a field of 35 drivers.
URL:https://astudiointhewoods.org/event/dawn-dedeauxs-mothership-lands-on-two-sites-for-p3/
ATTACH;FMTTYPE=image/jpeg:https://astudiointhewoods.org/wp-content/uploads/2021/05/mother-card-AB-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20140607
DTEND;VALUE=DATE:20140608
DTSTAMP:20260404T213828
CREATED:20140607T164932Z
LAST-MODIFIED:20240827T193758Z
UID:4156-1402099200-1402185599@astudiointhewoods.org
SUMMARY:The Depth Procession\, Go Low Go Light
DESCRIPTION:On Saturday\, June 7th Cauleen Smith\, joined by Rebecca Snedeker (co-author of Unfathomable City with Rebecca Solnit) and Jewel Marie Bush ( journalist and founder of Melanated Writers Collective) embarked on a procession through space and time\, across rivers and back\, down low and underneath. THE DEPTH PROCESSION: Go Low Go Light New Orleans was a cinematic adventure – a film shoot happening in real time with real people and imagined circumstances. Guests joined them on the DJ CLUB WHATEVER PARTY BUS for a ride across the Mississippi in search of intergalactic musical signals from down deep created by musicians Greg Shatz on Bass\, Charlie Joseph on Trombone\, and Monica McIntyre on Cello. Conversation\, sounds and light refreshments offered the bus. Parasols\, sounds and contemplation offered on the river. Go Low and Go Light with The Depth Procession. \nCaution: There will be moments of intense bass vibration. \nDepth Procession: Go Low Go Light New Orleans and H-E-L-L-O was commissioned by En Mas’: Carnival and Performance Art of the Caribbean curated by Claire Tancons and Krista Thompson for CAC New Orleans in collaboration with Independent Curators International. En Mas’ is made possible by an Emily Hall Tremaine Exhibition Award. Additional support is provided by The Andy Warhol Foundation for the Visual Arts. The exhibition will debut at CAC New Orleans in Spring 2015\, and will tour through to 2018. \n\n  \nDepth Procession: Go Low Go Light New Orleans and H-E-L-L-O was\, in part\, inspired by the map “Bass Lines: Deep Sounds and Soils” in Unfathomable City: A New Orleans Atlas and is part of the Unfathomable City: A New Orleans Atlas Printing and Public Project series. This series was created in partnership between the New Orleans Museum of Art\, A Studio in the Woods\, and coauthors Rebecca Solnit and Rebecca Snedeker\, with the support of the National Endowment for the Humanities.
URL:https://astudiointhewoods.org/event/the-depth-procession-go-low-go-light/
ATTACH;FMTTYPE=image/jpeg:https://astudiointhewoods.org/wp-content/uploads/2021/05/Screen-shot-2014-07-16-at-1.11.16-PM-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20140510T180000
DTEND;TZID=UTC:20140510T210000
DTSTAMP:20260404T213828
CREATED:20190206T184126Z
LAST-MODIFIED:20240827T193812Z
UID:1369-1399744800-1399755600@astudiointhewoods.org
SUMMARY:Megan Singleton Artist Exhibition
DESCRIPTION:On May 10th\, resident artist Megan Singleton will be participating in the first annual Wetlands Art Tour\, a daylong event in the St. Claude Arts District showcasing art\, performance and activism related to coastal erosion and wetlands restoration in Louisiana.  Be sure to check out her show at Byrdies Pottery at 2402 St. Claude Avenue from 6-9 pm!\n\nMore information about the Wetlands Art Tour\, including events and schedules\, can be found on its website.
URL:https://astudiointhewoods.org/event/megan-singleton-artist-exhibition/
LOCATION:Byrdies Gallery\, 2402 St. Claude Ave\, New Orleans\, LA\, United States
ATTACH;FMTTYPE=image/jpeg:https://astudiointhewoods.org/wp-content/uploads/2019/02/Art-Tour-poster-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20140506T000000
DTEND;TZID=UTC:20140507T000000
DTSTAMP:20260404T213828
CREATED:20190206T184648Z
LAST-MODIFIED:20240827T193812Z
UID:1373-1399334400-1399420800@astudiointhewoods.org
SUMMARY:Give NOLA Day
DESCRIPTION:Give NOLA Day is an event hosted by the Greater New Orleans Foundation to support non profit organizations within the region. The event\, from midnight on May 6 to midnight on May 7\, allows any one wishing to donate funds to any of the over 300 non profits involved\, including A Studio In The Woods\, to do so during this time.\n\nThis event is unique because in addition to money donated directly additional “lagniappe” dollars will be donated by the GNOF and their sponsors.\n\nThis event is in coordination with a national event called Give Local America\, where foundations across America are asking communities to give back.\n\nWe encourage you to support the Studio as well as any other organizations involved on May 6.\n\nUpdate: Here is the link for the donation page which will be active on May 6.\n\nDONATE\n\nUpdate: Today is the day! Click the link above to donate to the Studio or the other non profits involved in Give NOLA Day. Thanks for your support.\n\nMore information about the event and how you can become involved can be found on their website givenola.org\n\nGreater New Orleans Foundation: Facebook and Twitter (@GNOFoundation)
URL:https://astudiointhewoods.org/event/give-nola-day-2/
ATTACH;FMTTYPE=image/jpeg:https://astudiointhewoods.org/wp-content/uploads/2019/02/Give-Nola-Day-CMYK-single-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20110515T110000
DTEND;TZID=UTC:20110515T170000
DTSTAMP:20260404T213828
CREATED:20190206T193007Z
LAST-MODIFIED:20240827T193812Z
UID:1387-1305457200-1305478800@astudiointhewoods.org
SUMMARY:FORESTival: A Celebration of Art and Nature!
DESCRIPTION:Come enjoy works from former A Studio in the Woods artists in residence including Jane Hill (clay artist)\, Monique Moss (performing artist)\, Tory Tepp (living installation) and Bernard Williams (sculpture). Environmentalists will have the opportunity to experience the tranquility of the woods through tours with our botanist David Baker. Adults and children can take home a work of art from our silent auction or hands-on activity area. We will have music and readings by local musicians and authors\, details TBA. Food and beverages will be available for purchase.
URL:https://astudiointhewoods.org/event/forestival-a-celebration-of-art-and-nature-3/
LOCATION:A Studio in the Woods\, 13401 Patterson Rd\, New Orleans\, LA\, 70131\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20110213T150000
DTEND;TZID=UTC:20110213T180000
DTSTAMP:20260404T213828
CREATED:20190206T192008Z
LAST-MODIFIED:20240827T193812Z
UID:1384-1297609200-1297620000@astudiointhewoods.org
SUMMARY:The Art and Soul of Hardwood Bottomland Forest Restoration
DESCRIPTION:Since 2004 Environmental Curator\, David Baker\, has been tasked with the monumental job of restoring our 7.66-acre Bottomland Hardwood Forest to a functioning habitat. From natural disasters to the reappearance of the Cutleaf Grape Fern\, he has many stories to tell about the adventures of preserving these woods. By removing the two dominant invasive species\, Chinese Privet and Chinese Tallow\, from the understory of the forest floor Baker has made way for the germination of a new legacy of hardwood seedlings. \nOn Sunday\, February 13th\, A Studio in the Woods invites you to learn more about his processes and how important the removal is to future forest health. \nThe talk is the inaugural installment of Longue Vue House and Gardens’ new “Sunday Salon” series: a bi-monthly gathering of diverse voices exploring the intersection of art\, culture and environment. Scheduled to run through November 2011\, this year’s series will be themed around the five Chinese elements of wood\, water\, fire\, metal and earth. \nTo learn more about David’s lecture and restoration work at ASITW\, please email him at davidb1972@hotmail.com \nTo support the work of A Studio in the Woods\, please follow this link http://www.astudiointhewoods.org/sitw/?page_id=38
URL:https://astudiointhewoods.org/event/the-art-and-soul-of-hardwood-bottomland-forest-restoration/
LOCATION:Longue Vue House and Gardens\, 7 Bamboo Rd\, New Orleans\, LA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20110203T190000
DTEND;TZID=UTC:20110203T220000
DTSTAMP:20260404T213828
CREATED:20190206T185826Z
LAST-MODIFIED:20240827T193812Z
UID:1381-1296759600-1296770400@astudiointhewoods.org
SUMMARY:Public Lecture with Artist-in-Residence Bernard Williams
DESCRIPTION:Bernard Williams speaks about his work and his residency on Thursday as part of Tulane University’s Sandra Garrard Visual Arts Discussion Series \nBernard Williams will be in residence at A Studio in the Woods from January 18th to February 27th\, 2011. Williams’ artworks make statements about the complex nature of American culture. The works\, usually in the form of painting\, sculpture\, and installation\, incorporate both personal biographies and aspects of mass culture. To create his art\, he often collects\, repositions\, and reshapes existing objects allowing the objects to be interpreted in a new way and outside of their usual contexts. \nLocation: Stone Auditorium\, Woldenberg Art Center Room 210\, Tulane University\nFor more information: info@astudiointhewoods.org or 504-392-5359
URL:https://astudiointhewoods.org/event/public-lecture-with-artist-in-residence-bernard-williams/
LOCATION:Woldenberg Art Center\, Tulane University\, New Orleans\, LA\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20110108T140000
DTEND;TZID=UTC:20110108T180000
DTSTAMP:20260404T213828
CREATED:20190206T185454Z
LAST-MODIFIED:20240827T193812Z
UID:1379-1294495200-1294509600@astudiointhewoods.org
SUMMARY:Unveiling of Eric Dallimore's Pipeline
DESCRIPTION:During his residency at A Studio in the Woods Eric Dallimore (Denver\, CO) has been working on a living public sculpture in the form of a pipeline. This pipeline is not a metal pipe carrying oil\, but instead is a pipeline composed of entirely organic matter that houses a collection of seeds. \nThe Pipeline visually represents man’s destructive force of oil exploration on our Gulf coast\, our wetlands and our forests. With wind and heavy rains as a catalyst\, the pipeline is engineered to intentionally burst at the seams\, releasing seeds onto the ground below. The Pipeline will raise new life from the saturated earth below. \nPlease join us to view & celebrate the completion of Eric’s installation piece. Refreshments will be served and football fans will not miss a beat. (We will have the football game on the radio.) \nWe look forward to seeing you at the Unveiling!
URL:https://astudiointhewoods.org/event/unveiling-of-eric-dallimores-pipeline/
END:VEVENT
END:VCALENDAR